In comparison, Neo’s semblance in this chapter is a bit more elaborate. By close observation, the way she previously materialized may have been done in a manner where one character model was layered on top of the other with the same exact pose and a wipe effect was used through the light emitted with another layer of the shattered pieces added. This has been done once before in chapter 11 of volume 3, but like with Yang’s semblance, the approach has changed with more nuance. One of the first things of note that has not been mentioned elsewhere yet is Neo’s materialization effect.
To see how, let’s dive right in the Neo and Cinder scene. That’s not to say there was nothing to acknowledge about this episode, far from from it actually. Combine that with no one in the animation and storyboard teams having mentioned who did what, there will be a lot more guesswork involved. However, the ending credits for the volume finale are setup to list literally everyone that was involved throughout, even those that were otherwise non-credited from those with specialized roles to the families, children and pets of individual members of the production staff under “ Special Thanks” and “ Additional Security”. Sometimes, names of certain people from certain departments will change depending on whether someone is being assigned to work on something a few episodes later or because that person is possibly preoccupied with another big project at Rooster Teeth Animation like Gen:Lock at around the same time. Since volume 3, the ending credits of every other episode will usually list the names of those that were involved in that episode. That said, since the volume 6 finale chapter follows the tradition of every other volume finale, expect things to be a bit more “shot-in-the-dark” than usual. When the late creator of the show, the writers most closely associated with the show’s story, and almost every animator, storyboard artist, modeler, camera layout artist, rigging artist compositor, VFX artist, sound designer, etc., have all been passionate about the medium of anime and have applied that passion into crafting this ongoing anime-inspired project, why not give them all credit where credit is due, especially for this specific occasion?Īs with all other prior analysis posts, this one is intended to put forth as much insight and context of the behind-the-scenes as possible. When starting this production analysis series, three goals were kept in mind: 1) To disspell any potential misconceptions and myths about RWBY’s production, 2) to help add more depth and nuance to discussions about the production since some fans out there do care enough to talk about it, and 3) to highlight how various members of the staff have helped carry on certain aspects of the vision meant to be applied to this show. Previous Volume 6 Production Analysis Posts:Ĭhapters one, two, three, four, five, six, seven, eight, nine, ten, eleven & twelve 2019 RWBY - Volume 6, Chapter 13 Production Analysis
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